Feedback (and feedforward) compression modes are offered, as is the (did we mention dangerous?) negative compression mode.Į300: While there may be no electro-optical attenuation in these equalizers, McDSP wanted to have equalizer modules that complimented the Opto-C/L compressor modules in the 6060 Ultimate Module Collection plug-in. An LED style GR meter is also used to show as much dynamic range control response as possible. When tracks need to get 'nasty' the D-100 is a go-to choice.ĭ359: The D359 module is the most aggressive compressor in the 6060 Ultimate Module Collection plug-in. In-your-face distortion is what the D-100 module is for. When tracks need to get ‘nasty’ the D-100 is a go-to choice. For this reason, all the compression module name enumerations are increased by ‘1’ to note the addition of the makeup gain in each module.ĭ100: In-your-face distortion is what the D-100 module is for. The McDSP C671 is sonically identical to the original C670 module from the 6030 Ultimate Compressor plug-in, but includes its own makeup gain, as do all the other 6060 compression modules. The classic hpf, low shelf, parametric, high shelf combination makes the British E module useful for most mixing situations.Ĭ671: The C671 module is a variation of a Fairchild 670, with slightly faster signal tracking to accommodate modern production styles, and yet still imparts a 'warmth' into the audio output. The British E module uses this same FilterBank technology to create an amalgamation of great Neve equalizers. Two bias modes offer additional tone flexibility.īritish-E: McDSP’s own FilterBank plug-in, originally released in 1998, harnessed the fundamental design characteristics of the Neve line of equalizers, most notably the 1069, 10, with its unique Peak, Slope, and Dip controls. A Squash control can provide some frequency selective compression near the boosted low end frequency, at a selectable recovery rate. Signal levels below the selected frequency are actually reduced, so that the boosted low end is better focused. Over 24 dB of low end boost is available at the selected frequency. As found in several of the compression modules in the 6060, there is also a feedback compression mode.īOB: The Bass Optimized Bias module is designed for making low rumble really rumble. Internal circuit smarts help prevent unwanted distortion, even at extreme compression settings (low threshold, fast attack and release). HD v6 : AAX Native, AAX AudioSuite, AAX DSP, AU, VSTīC23: Based on a more 'traditional' English design, the British C-23 (BC-23 for short) module offers control for threshold, ratio, attack, and recovery. Native v6 : AAX Native, AAX AudioSuite, AU, VST Split Mode operation for two separate parallel signal paths.Easy drag and drop, on the fly module auditioning.Largest collection of processing options of any module-based plug-in.The 6060 is indeed, the ultimate module collection. Improvements include feedback and feedforward processing, and the rare option of negative compression on a few select modules. The 6060 also includes updated compression algorithms not available in the 6050 Ultimate Channel Strip or the original 6030 Ultimate Compressor. The 6060 allows up to six modules to be operated at once. Modules can be arranged in any order and swapped on the fly using the module selector panel, or from the popup menu in each module. Any combination of modules can even be split into two separate signal paths for some serious parallel processing. Additional modules are already in the works. Custom modules include bass optimized biasing for the larger than life low end, transformer-based tone shaping circuits for high-end shine, tape simulation, de-essing, and new EQ and compression designs.
The 6060 Ultimate Module Collection contains the largest collection of processing options of any module-based plug-in available. The 6060 includes over 30 unique modules for EQ, compression, saturation, distortion, specialized filtering, dynamic range expansion, gating, and more.
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